Fogra
Steffen Walter (THIMM) Ralf Lenk (ScanColor Reprostudio), Christophe Descubes (Philaposte – Groupe La Poste) Arjen Goldschmidt (Canon) and Thomas Demoulin (Philaposte – Groupe La Poste)

The Fogra Color Management Symposium (CMS) celebrated its tenth anniversary with a fully booked venue and strong international participation. More than 200 experts from 23 countries and 126 companies gathered in Munich on 25 and 26 February. The combination of seven sessions, an AI Battle, and numerous opportunities for personal exchange once again confirmed the CMS as a central platform for knowledge transfer and networking. The next event is already scheduled for 23-24 February 2028.

Across seven topics, practitioners and experts presented current developments from real-world applications. The areas ranged from customer expectations in digital environments, color management in packaging printing, and high dynamic range (HDR) in print production to proofing on real substrates, practice-oriented color management approaches, and the use of artificial intelligence in production workflows.

As in previous years, the 2026 event offered ample space for personal interaction—during breaks, on the exhibition floor, and at the traditional Bavarian Evening. The originally planned keynote by Alexandra Gerhardy (Muster-Schmidt), titled “Printed, Painted, Perfected: The Art and Science of color Card Creation”, had to be cancelled at short notice due to illness. 

The program was flexibly adapted: three compact practical presentations from participants provided concrete insights and application-oriented impulses, fostering lively professional exchange. A concluding quiz rounded off the first day in an entertaining way.

The strong participation from industry, brand owners, and research institutions once again highlighted the CMS’s international relevance. Particularly appreciated were the practical presentations and the focus on emerging trends such as HDR, image-based measurement, and AI in media production.

Session 1: Customer Expectations in the Digital Age

From the perspective of brand owners and manufacturers, the first session explored how to manage customer expectations in a digital environment. The session was chaired by Maren Daffner (Konica Minolta). Dieter Jan Janout (Amagoo) opened with a talk on centralized color management and industrial standardisation, summarising his message with, “Colors must be correct, not just beautiful.” Stephan Richter (Conditorei Coppenrath & Wiese) followed with insights into the implementation of a digital inspection regime for ECG printing at Coppenrath & Wiese. Patrick Reyer (HARIBO Group) concluded the session with a look at HARIBO’s digital color transformation—from analog to digital processes.

Session 2: Color Management in Packaging Printing

The next thematic block focused on new approaches to color quality and standardisation in packaging printing, chaired by Dave Hunter (ChromaChecker). Steffen Nusser (Edelmann) opened with “Image-Based Measurement” and spatially resolved print evaluation for packaging. Stefan Steinemann (Druckerei Bauer) then presented the path from a Fogra research report to an FFI ordering standard for ECG 7C. Dr Andreas Kraushaar (Fogra) discussed the evolution of color matching from mechanical correction to standard-compliant production according to ISO 12647 2:2026+.

Session 3: High Dynamic Range Meets Printing Practice

This session focused on high dynamic range (HDR) in printing practice and was chaired by Dorin Pitigoi (Grup Transilvae). Prof. Florian Süßl (Berliner Hochschule für Technik) demonstrated practical HDR applications. Dorin Pitigoi presented extended dynamic range in backlit printing. Veit Rudolph (Rudolph Druck) explained how Fogr59 (eciCMYKv2) bridges the gap between color gamut utilisation and predictability, illustrating the benefits with test prints distributed to the audience. A live HDR test setup on site allowed participants to experience the effects firsthand.

Session 4: Real Substrate Printing – Proofing

The first day concluded with insights into proofing on real substrates, chaired by Jürgen Seitz (GMG Color). Wolfgang Marx (Interproof) shared practical experiences with Real Surface Proof, highlighting what works in practice—and what does not. Dr Moritz Feil (Fogra) discussed “D50noUV” as a potential future of color communication in an LED dominated world. A panel discussion featuring Andreas Kraushaar, Jürgen Seitz, Rabea Paysen (X Rite), and Christian Gall (Just Normlicht) explored the topic “Measure (M1, M2) as You See (P1/P3).”  The session was preceded by 16 spotlight presentations from exhibiting companies and an update on the Fogra live experiment by Dr Julie Klein.

Session 5: Color Management Practice

The second day began with a session on practical color management, chaired by Arjen Goldschmidt (Canon). Ralf Lenk (ScanColor Reprostudio) opened with color management beyond standards, illustrated through ChromaLuxe applications. Christophe Descubes and Thomas Demoulin (Philaposte – Groupe La Poste) explained the transition from heliogravure to offset printing using Japanese stamps as an example. Steffen Walter (THIMM) concluded with insights into the ink-saving potential in digital packaging printing.

Session 6: AI – Real-World Opportunities and Risks

The penultimate session focused on the practical use of artificial intelligence. Chaired by Markus Weber (Staudacher), the session began with examples of how AI based tools can support color correction and retouching. Jürgen Hein (w&co MediaServices) then examined the balance between technical feasibility and real production requirements. A highlight was the live AI Battle: Boris Margan and José Fabiao (both w&co MediaServices) competed using different approaches. One expert used AI assisted retouching with minimal input, while the other relied on traditional methods. 

After about an hour, both presented visually convincing, market-ready results. The direct comparison revealed both the potential and the limitations of AI based workflows. A subsequent discussion with the audience openly addressed efficiency gains and typical pitfalls.

Session 7: Color Consistency in Industrial Printing

The final session, chaired by Claas Bickeböller (X Rite), focused on color consistency in industrial printing. Thomas Voigt (STIHL) opened with insights into digital printing on steel—specifically on guide bars for STIHL chainsaws. Tolga Şensöz (VitrA Tile) demonstrated how hyperspectral color measurement can transform tile printing. Justin Laird (Apple) concluded with a presentation on appearance based color quality beyond traditional spot measurements.

Packaging South Asia — An authentic, impactful, and influential 20-year-old !

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Naresh Khanna – 12 January 2026

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