Crafting stories through brand design

To interact with a child, we need to think like one!

125
stories

Have you ever narrated a story to a kid? We all would have at one point of time. The best part is when you create the story as you narrate, you let your imagination go wild into a limitless fantasy. You would have also felt the need for being interesting and engaging.

However, when the consumer is the child herself and the task is that of creating a story for her toy, the challenge grows manifold. I had the privilege of working with one of the most renowned toy makers of the world, Mattel, to revamp one of their ranges of toy cars, under the brand, HotWheels. The idea was to create a more interesting story around what a kid could do with her HotWheels car and in turn entice them to buy and collect more from the range.

HotWheels is an iconic brand created in the 60s by Elliot Handler, a cofounder of Mattel, Inc., who had envisioned a die-cast car to surpass the popular English Matchbox brand. He had wanted to create a line of cars for the boys just as the Barbie doll had become popular for the girl’s division. Over the years, HotWheels has grown into a strong brand of miniature cars by bringing out newer models, combining style with speed. It claims to have produced more than 800 models and 11,000 variations and sells almost eight cars every second!

The brand that began with small die-cast vehicles is now involved with developing a wide variety from Formula One racing cars to Monster Trucks, Mechanix, and Sho-gun Racers. HotWheels vehicles have even extended into other X-treme wheeled sports lines, including skateboard products and motocross products endorsed by Jeremy McGrath. It developed flexible, plastic tracks for racing HotWheels, complete with the famous loop that became the symbol of the brand to several generations of kids.

Today’s gadget-savvy, brand conscious kids are extremely knowledgeable and they know exactly what they want. Kids may be the youngest of consumers, but their influence on purchase decisions is immense – Kidfluence.

In order to appeal to this segment, it’s important to understand their lifestyle and be in line with their thought process. It was imperative that we speak to kids and understand their world. We embarked on the journey by conducting a Focused Group Discussion (FGD) with kids. It’s an experience in itself to conduct an FGD with the kids.

It was inferred from the research study that kids get engrossed in genres like thrilling horror, action-based adventures or just destructive activities. They look for variety and newness in every activity.

We also inferred that their imagination runs wild as they enjoy storytelling and get enthralled with fascinating cartoon tales or daily series. We decided to make the best use of their stories. Storytelling as an activity helps children use their emotions, cognition, psychomotor and social skills. There is a possibility to spark their imagination, increase interaction and in turn improve their overall experience with the product.

We tried decoding patterns in their stories, how they craft them, what’s the usual setting, who are the possible villains, what do they want to achieve at the end and how would they like to win. Basis these, we went ahead to form stories where we would create the nemesis drawing inspirations from the villain in their stories and then pave a path for their HotWheels cars to perform a stupendous activity and come out victorious.

Conceptualizing the packaging design based on these stories was the most challenging task. To appeal to the storyteller in a child and keep alive their intrigue and level of excitement, it was suggested to have a ‘Series Based’ packaging, where a story would tie a bundled product. The eight packs were classified in four different sets—Treasure Hunt, Radioactive Raid, Avalanche, and Alien Attack—aligning them with the price points. Each set had a different plot with a distinct nemesis to differentiate each pack as well as the set from the other. The miniature car could either pass through the nemesis or go and have a head-on collision with it.

The side of pack (SOP) was used to communicate the binding story, tempting the kid to buy the entire set or at least look forward to buying it subsequently. However, the idea was to encourage them to create their own mix-and-match of the sequence of events and come up with an entirely new story of theirs.

The packaging design had to dramatize the entire story and make it larger than life. The pack had to depict the setting of a perfect battleground where HotWheels had to emerge victorious against all odds. The car, the launcher and the nemesis along with the background were illustrated to the utmost details to create the magic.

In order to achieve a dynamic looking packaging design and to make the child feel like a hero, in each concept we ensured that the car was the main protagonist and the mighty enemy coexisted with equal prominence on the pack, for the game to look challenging and thrilling. 3D installations of the nemesis were created for maximum interaction and engagement, enhancing the experiential value for the kid.

The impact, resilience, and growth of responsible packaging in a wide region are daily chronicled by Packaging South Asia.

A multi-channel B2B publication and digital platform such as Packaging South Asia is always aware of the prospect of new beginnings and renewal. Its 16-year-old print monthly, based in New Delhi, India has demonstrated its commitment to progress and growth. The Indian and Asian packaging industries have shown resilience in the face of ongoing challenges over the past three years.

As we present our publishing plan for 2023, India’s real GDP growth for the financial year ending 31 March 2023 will reach 6.3%. Packaging industry growth has exceeded GDP growth even when allowing for inflation in the past three years.

The capacity for flexible film manufacturing in India increased by 33% over the past three years. With orders in place, we expect another 33% capacity addition from 2023 to 2025. Capacities in monocartons, corrugation, aseptic liquid packaging, and labels have grown similarly. The numbers are positive for most of the economies in the region – our platform increasingly reaches and influences these.

Even given the disruptions of supply chains, raw material prices, and the challenge of responsible and sustainable packaging, packaging in all its creative forms and purposes has significant headroom to grow in India and Asia. Our context and coverage engulf the entire packaging supply chain – from concept to shelf and further – to waste collection and recycling. We target brand owners, product managers, raw material suppliers, packaging designers and converters, and recyclers.

In an admittedly fragmented and textured terrain, this is the right time to plan your participation and marketing support communication – in our impactful and highly targeted business platform. Tell us what you need. Speak and write to our editorial and advertising teams! For advertisement ads1@ippgroup.in , for editorial info@ippgroup.in and for subscriptions subscription@ippgroup.in

– Naresh Khanna

Subscribe Now
unnamed 1

NEWSLETTER

Subscribe to our Newsletter

As 2023 begins and FY 23-24 unfolds, will you support us?

What lies in store for the packaging industry in India and South Asia this coming year? Inflation, disruption of supply chains or environmental regulation? Or the resumption of high rural demand, continued investment and industry consolidation? Whatever happens, Packaging South Asia will be there, providing clarity and independent technical and business information in India and South Asia and around the world. We are a compact Indian organization bringing a window of fair and rigorous technical and business information that the industry can access this year and beyond. Please support us with your advertising and subscriptions, to keep us going and growing.

Thank you.