Brand new perspectives in packaging print

Looking for the future at drupa 2016

Today’s packaging trends are driven by longer supermarket opening hours, continually enhanced print technologies and capabilities and demand to protect brands and increase recognition

Looks count and first impressions matter. How products are judged by their many differing attributes – not least fitness for purpose, consistent reliability and value for money – will determine the extent to which they build market share on an ongoing basis. Prior to that, however, it will probably be a particular spot color, a distinctive font, or else the artful application of a metallic ink on the exterior of the pack that initiates the relationship between a brand and a consumer.

“Thanks to impressive print packaging, brands can seduce customers into a change of purchasing vote at the point of purchase,” says Super brands founder Marcel Knobil. “We would end up with less brand and more bland were it not for the attention that the packaging attracts.” Super brands is acclaimed worldwide as being an independent authority and arbiter of branding excellence, committed to paying tribute to exceptional brands and promoting the discipline of branding.

The impact of a winning combination of text and graphics extends way beyond fronting up that initial beauty parade. As well as being the ‘eye candy’ that hooks the consumer in the first instance, a perfectly reproduced external image provides consumers with an often subliminal product recognition and reassurance that can be the brand owner’s banker in a congested retail space.

Today’s packaging trends are driven by longer supermarket opening hours, continually enhanced print technologies and capabilities and demand to protect brands and increase recognition. Not only surviving but attaining the status as the preferred choice under
such highly testing conditions is one half of the brand owner’s greatest challenge. The other is to meet it at an affordable cost.

Controlling quality

IMG 7137
With the high probability of color variations occurring not only between different substrates, but also print processes – maintaining consistency can be a complex undertaking

With the high probability of color variations occurring not only between different substrates, but also print processes – and indeed from one printer to another, not only in different locations but even when they are running presses made by the same manufacturer – maintaining consistency can be a complex undertaking.

The best way to meet it is to ensure that all the contributory links with in the supply chain which are engaged in steering the progress of a printed pack from hatch to despatch are all able to interact via an open entry web-based platform.

“Our vision is to connect the supply chain from the brand owner to the retailer and to make that flow broader and richer,” says Jef Stoffels, Esko marketing director.

“We do this by adding greater functionality which meets the go-to-market and quality needs of CPG (consumer packaged goods) businesses and retailers. We also make it possible for the brand owner to ensure that the flow of data is secure and transparent, mistakes and errors can be picked up early or avoided altogether and the net result is to get products to market faster.”

Similarly web-based color management systems can extend the same degree of comfort and control to brand owners over how pre-determined color parameters are then replicated accurately irrespective of substrate or supplier, ensuring a guaranteed consistency of color reproduction that underpins brand authenticity and integrity. For instance X-Rite’s Pantone LIVE color management solution could be ideal for the brand owner as it has control over the pre-determined color parameters, which are stored in the cloud for use as and when required by his supply chain. This ensures accurate replications of the accredited brand image irrespective of substrate or supplier.

Pressed to perform

Converters equipped with smarter production facilities can be more directly instrumental in achieving cost and performance benefits to brand owners. Using high-definition flexo plate and software technologies, it is now possible to meet the requirements of 85% of current flexo-printed, flexible packaging without detriment to the finished result from CMYK plus white rather than using special inks.

“Working out of a reduced color palette means there are less plates and less waste ink. It ticks a lot of boxes,” says Ultimate Packaging(UK) sales director, Chris Tonge. “Whilst global players like Unilever and P&G have been specifying these solutions for the past 10 to 15 years, smaller brands are realizing there is a cost advantage in that you can control the colors a lot better if you set the right standards.”

It’s not just improvement at the front-end that is raising quality and performance standards in flexo, a print process accounting for over 40% of a current global printed packaging market worth around an estimated 250 billion Euros per annum, particularly for flexibles and corrugated board applications. Speed on the press and consistency across substrates are key. Ultimate Packaging has recently installed two additional servo-driven Bobst flexo presses ahead of drupa. Offset has also responded positively to deliver cost-efficient shorter run-lengths, for example Heidelberg’s Speed master Prinect In press Control inline automated turbo charged system which can change plates between jobs within ten minutes.

Digital mindset

Bombay Sapphire Electro 2
Meanwhile, at the higher end of the
scale is the arresting 3D effect
achieved through the use of Fresnel
lens technology providing instant
‘stand-out’ in retail duty-free for
cartons containing the global gin
brand Bombay Sapphire. “It’s
obviously more expensive than a
normal foil by about one-third, but you
do get significantly greater impact. If
you want something that is undeniably
eye-catching and alluring then that’s
what it takes,” says Dominic Burke,
Webb deVlam UK managing director

What has sparked these improvements in analogue press technology is the increasingly potent challenge posed by digital print; not least in meeting brand owner requirements for cost-efficient shorter run lengths – and thereby, lower inventory levels – and the ability to differentiate products on-shelf through customization. Whilst affordably utilizing variable data has always been part and parcel of the digital print proposition, it’s now clearly on the retail marketing radar following its successful adoption by high-profile retail marketing campaigns run by Coca Cola, Heineken, Nutella and a steadily growing band of global blue-chip brands. “To take our brand off the packaging and replace it with something other than the CocaCola script wasn’t easy to do within a structure like ours, where we operate according to very tight brand guidelines to protecting it,” says Coca Cola packaging innovator Greg Bentley. “The digital print capability enabled it to happen, but the marketing campaign is the really smart thing.”

“The combination of technological muscle and marketing inspiration is what it takes to make customization fly,” says Paul Randall, HP Worldwide Brands business development manager.

“It’s breaking away from the mindset of packaging being the static bearer of logos and ingredients tables and using it as a media opportunity for consumer engagement to the benefit of the brand. The media landscape has changed. It is becoming increasingly fragmented between above the line spend (bought media),PR and below the line (earned media), and packaging (owned media) – with the latter two increasingly linked together. Not surprisingly, brand owners are now regular visitors to HP’s Graphics Experience Centre in Barcelona.”

Likewise Xeikon’s technology centre in Antwerp. “For brand owners attending our Xeikon Café programme, it’s a two-track learning curve,” says Labels and Packaging marketing director, Filip Weymans. “First, understanding how the benefits of digital production can be translated into diversifying communication towards the audience they’re reaching out to and second, how the technology can address needs with in their business model –notably, being faster to market and making better use of working capital.”

“While the adoption of digital is an accelerating trend, despite the buzz being created it’s still under-selling its potential,” says SAB Miller global packaging manager, Doug Hutt. “The top ten brand owners in the world are generating over a quarter of a trillion dollars in sales. If just 10 to 20% of these were digitized with the balance going to analogue,thatis still a very large potential revenue that converters haven’t yet grasped.”

“FMCG companies should be more proactive in going out and talking to the packaging industry – and the packaging industry should be addressing those issues and coming up with solutions,” says Doug Hutt, SAB Miller global packaging manager.

Meanwhile, faster-running inkjet technology looks poised to dictate the next chapter in the digital packaging print story, no tleast via the keenly anticipated commercialization of digital guru Benny Landa’s ‘nano graphic’ presses engineered to deliver variable data printed material at offset speeds.

The finishing touch

Customization is not the only route to catching the consumer’s eye on-shelf. Short-run, cost-effective special effects such as high gloss, glitter, metallic without recourse to hot-foil stamping and even Braille are also within the remit of next-generation digital postpress enhancement technology now establishing itself within the finishing sector. Also providing a more cost-effective means of achieving greater stand-out is the take-up of cold foiling using the analogue process –notably as an alternative to laminated and or metallised substrates for labels and cartons.

The new frontier

“The adoption of online-oriented technologies is pointing the way towards next generation applications aimed at facilitating greater engagement between brand and consumer,” says Sun Branding Solutions packaging technology director, Gillian Garside-Wight. “Who would have thought that the Apple watch would be available five years ago? Brand owners need to deliver what consumers want including smarter packs that integrate with a digitally driven smarter lifestyle.”

Quite a number of applications on the market bring into play mobile technology. For example, on-pack augmented reality (AR) applications pioneered by Blippar that allow users to simply look at an object through the camera on their smartphone to activate an instantaneous digital search and draw down information from the web. In a recent campaign for Perrier, the invitation to consumers to shake their phone like a cocktail shaker to reveal a recipe was a typically innovative way to highlight the overall concept and add fun by using the technology to unique advantage.

Rather than position an icon on-pack to facilitate interaction, UK-based prepress specialist Reproflex3’s proprietary ‘PackLinc’ scanning technology embeds a hidden code within the ink itself, enabling the consumer to effectively treat the entire pack as a portal. Most recently applied within a limited edition run of the children’s POM-BEAR crisp packet, the system was the recipient of EFIA (European Flexographic Industry Association) and the prestigious Starpack gold awards last year. Debbie Waldron-Hoines, EFIA director says, “Brand owners need a deeper understanding of the processes so that they can help make considered decisions on what is best suited for their brand. Both flexo and digital can work wonderfully together to enhance the brand.”

Underpinning product security and thereby underpinning brand integrity is another obvious avenue being explored by smart technologies. A fully printed nearfield communication sensortag (NFC) developed by Thin Film Electronics for Diageo’s Johnnie Walker whisky doubles as a security and anti-counterfeiting device as well as interacting with smartphones to dispense product advice and information.

As a lot of the labelling and pre-printed information currently required to be displayed on-pack is gradually phased out, just imagine the potential for branding afforded by that freed-up real estate. Brands are currently getting maybe only 40% of the pack’s surface for its primary purpose. However, if one small interactive barcode resolves all the regulatory and legal requirements 90% of the print surface could be released for marketing the product.

The Write Stuff 2
DesKing hasworked as a freelance journalist in the printing and packaging industries for the past twenty years. A long-standing member of IPPO, The International Packaging Press Organisation, Des has appeared regularly in leading UK magazines as well as several of the leading European and international
trade publications including Packaging South Asia.

“Ironically, the most practical bridge linking brand and consumer might simply entail up grading the humble linear bar code into a 2Dformat,” says Domino Printing Sciences global account manager, Craig Stobie. “Brand owners are yet to fully realise the potential in having a machine-readable code that not only contains a lot more data but with the same footprint or smaller than a human-readable, but can also actually be cheaper.”

“Brand owners need to meet the challenges faced by counterfeiting, product security in the supply chain, consumer engagement and ‘Big Data’ management. Brand protection and better marketing of their products are major starting points towards averting potential reputational damage and simply saving money.”

Eye-catching and innovative printed packaging is a shrewd investment towards building a loyal and enduring customer-base. Whilst consumers are exercising greater versatility than ever before in choosing how and where they are able to gather information through which to determine product preferences, packaging offers the brand owner a uniquely guaranteed opportunity to control how they communicate with prospective customers face to face in-store at the very point of purchase. No surprise then that the ways in which the package is printed will occupy centre stage at drupa 2016.

The impact, resilience, and growth of responsible packaging in a wide region are daily chronicled by Packaging South Asia.

A multi-channel B2B publication and digital platform such as Packaging South Asia is always aware of the prospect of new beginnings and renewal. Its 16-year-old print monthly, based in New Delhi, India has demonstrated its commitment to progress and growth. The Indian and Asian packaging industries have shown resilience in the face of ongoing challenges over the past three years.

As we present our publishing plan for 2023, India’s real GDP growth for the financial year ending 31 March 2023 will reach 6.3%. Packaging industry growth has exceeded GDP growth even when allowing for inflation in the past three years.

The capacity for flexible film manufacturing in India increased by 33% over the past three years. With orders in place, we expect another 33% capacity addition from 2023 to 2025. Capacities in monocartons, corrugation, aseptic liquid packaging, and labels have grown similarly. The numbers are positive for most of the economies in the region – our platform increasingly reaches and influences these.

Even given the disruptions of supply chains, raw material prices, and the challenge of responsible and sustainable packaging, packaging in all its creative forms and purposes has significant headroom to grow in India and Asia. Our context and coverage engulf the entire packaging supply chain – from concept to shelf and further – to waste collection and recycling. We target brand owners, product managers, raw material suppliers, packaging designers and converters, and recyclers.

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